Yesterday marked a year since Tess and I moved out of New York. I’ve expressed how much I loved my time in New York in this venue many times in the past, but now a year later, on the opposite side of the country, I can appreciate the role it’s played in my personal and professional growth.
“These streets will make you feel brand new. Big lights will inspire you”
Empire State of Mind – Jay-Z feat. Alicia Keys
Boy did they ever. New York was a fountain of youth. It fun and exciting to paint on a blank slate. I forced myself to get lost and just wander about the town. I started working in an entirely new industry at the age of 29 with no contacts or experience. It was a fountain of youth. And at the end of it all, I’ve got credits, stories, and most importantly, friends.
Is the grass really greener?
Working on movies can be pretty damn fun, especially as a grip. Yeah, you have to lift heavy stuff through doorways, narrow hallways, and up multiple flights of stairs, but we do get to do some pretty cool stuff. It’s like playing with Tinker-Toys or Legos except in the middle of New York streets (but usually in cramped-ass apartment buildings). But let’s face it, gripping is a young man’s game. Sure, I’ve met some old dogs – very skilled technicians who have decades of experience. These are the guys who can command that ever-elusive full-rate (600/10hrs). As a 31-year old griptrician with only 3 years of experience, I could easily be competing against a 21-year old griptrician with the same experience for a job that paid a fraction of that rate. Do the math and it’s clear time isn’t on my side. And while I’m not in the best shape of my life, I can usually hump just as many sandbags, mombo combos, and Fisher 10 dollies as cats younger than me. But I’m just one set accident away from getting a career-threatening knee or back injury. In fact, I’m surprised I stayed pretty injury-free save for a burn on my forearm from a stupid inkie (the smallest tungsten head on our truck for that show)! 31 year old bodies don’t heal as fast as 21-year old bodies.
And besides, I don’t want to be a grip for the rest of my life. I want to write stuff and direct it.
But passion is overrated.
I’ve had some discussions with some really good friends about what it means to pursue your passion. It’s rewarding to do things you are passionate about (in my case, writing and directing), but Emory asked a profound question: “do you have to do it as a careeer?”
I don’t think I do. Let’s get serious here. Becoming a Hollywood director seems less and less likely the longer I stay here in LA.* And even becoming a regular director – one who does small commercials and industrials – can’t be that fun. I’ve worked commercials and industrials where the director is really just a puppet for the client. The director directs the actors, but always looks over his shoulder to make sure the client is happy with it. Where’s the fun in that? I do understand that there are projects that pay bills and projects that satiate the creative hunger. So really, what’s wrong with having a day job to pay bills and then doing the passion projects on the side?
Nothing. And guess what I was doing right before I moved to NY. I re-read some of my old posts – the ones from the Bindlestiff and Revival Arts productions I was involved in. I remembered how much fun and fulfilling it was. Imagine what I may be able to accomplish now the knowledge and experience I’ve gained in the last three years. Of course the whole job-that-pays-the-bills part needs to be sorted out.
Smells like a cop-out, right? “He just couldn’t hack it in LA and was too lazy to put in the work to achieve his goals.”
It’s a fair argument – maybe I can’t. If I was 6 years younger, I think I’d stick it out and see where things would take me. But in the past 3 years, there’s been probably close to 10 weddings and about 7 kids within my circle of friends. There really isn’t any pressure on me to hit those milestones just yet, but continuing the pursuit towards a filmmaking career will likely push that all back. And I’m not sure I want to do that.
Earning a living making films would probably make me happy, but it’s not the only thing that would**. There are other things in my life that will always be more important than a career – family (current and future) and friends. Being able to make films – whether for love or money – is a bonus. And I think I’m at peace with that now.
The conclusions I’ve drawn have everything to do with how the cards fell when I first moved here. I do wonder what it would’ve been like if circumstances were different. What if the handful of contacts I had coming into town called me for a job which led to another job which led to more jobs? Perhaps I would’ve gotten lucky and somehow made it onto a studio lot as a grip. Maybe I got a different day job – one that recognized my skills and experience and challenged me.
But things didn’t happen this way. It’s humbling and even embarrassing to be slumming it at an entry-level position. But it’s just as humbling and embarrassing being a 29 year old who left a cush job only to work for free on a student film as an Art PA. Such is life, after all.
* I get the sense that you do things/go places in this town with the hope of meeting a person who can introduce you to someone who can actually make a decision that can impact your career in the movie business. I’ve grown up to be too bitter and jaded to have the patience to deal with that kind of BS. In this biz, luck plays as big a role as talent in defining someone’s success. But I don’t have the luxury of waiting for that lucky hand.
** On the list of things that would make me happy is a PS3, a Vestax VCI-300 with Serato Itch (all the turntable loyalists are groaning, but really – who has the space these days?), and a vacation back to NYC.